The In-Between by Christos Tsiolkas captures the relationship between two middle age men, Perry and Ivan. Both are seeking love again, but also carry with them their own histories of regret that forever haunts them. Structurally, the novel is divided into a number of days spread over a several years. Through these glimpses into the everyday, we are given an insight into the challenges of balancing life in-between the past and the present.
I remember watching Shang-Chi and the Legend of the Ten Rings, one of the many films that makes up the Marvel universe. At the start of the film, there is a bus scene where the hero is confronted by a group of thugs. One of the things that always seems odd in this supposed ordinary situation is who are the other people in these scenes? For example, what is on the laptop sliced in half by a sword? Did it have a PhD on it in draft format? Was it backed up in the cloud? None of this is ever addressed. Ordinary people do not matter when there are superheroes around. Whereas for Christos Tsoilkas, these other people standing on the edge of the stage are often placed front and centre and given prime place with the narrative. Whether it is an old couple on a train returning from remembering a relative’s passing or a palliative nurse looking out her window after a long shift in which her patient passed away, these moments not only add perspective, but remind us that there are people who exist both in and beyond the book. This is something Michael Williams touches on in his review for the The Saturday Paper:
There’s a trick Christos Tsiolkas does in his eighth novel, The In-Between. At several points in the action, as the central drama plays out in the foreground, the focus drifts away. Tsiolkas brings our attention instead to a passing youth on the street or the gaze of another commuter.
Despite these glances away, The In-Between is an intensely interior book with Tsiolkas’s trademark unflinching intimacy and access to the thoughts, fears, rages and lusts of his characters. It makes these other moments all the more acute when they occur. They offer us an external view of proceedings, giving us the distance to see our protagonists afreshSource: Christos Tsiolkas – The In-Between by Michael Williams
What I like about Tsiolkas’ writing is his ability to capture the seemingly everyday. In The In-Between, he manages to make reference to everything from responses to Brittany Higgins rape allegation, changes to places like Preston and Frankston, Classic FM playing Talking Heads and Split Enz, the turn away from news and talk back, or capturing a situation on a smartphone. These various choices feel less like polemical statements, than being moments for the reader to ponder. As Tsiolkas stated in an interview with Raphael Epstein:
What I want from fiction is that it sets up questions.Source: Christos Tsiolkas’ new novel The In-Between – ABC Listen by ABC Radio Melbourne
Sean O’Beirne picks up on this in his review for The Monthly, when he talks about the unstable nature of our senses and perceptions.
Though of course plenty of writers can supply the smaller details, what makes Tsiolkas exceptional is his ability to show how excessive and unstable our senses are, how we never just enjoy our perceptions in some benign way, but find them turning continuously into greed, and then shame, and then greed again.Source: Christos Tsiolkas’s ‘The In-Between’ (Review) by Sean O’Beirne
Although the two central characters, Perry and Ivan, are in-between in so many ways, whether it be language, place, class or age, I feel that when it comes down to it, the book highlights how we are all in-between in some respect. For example, relationships are in-between, whether it be as a friend, a parent, a sibling. We are always in-between regarding the public and private. Conversations exist in-between. Knowing someone through social media, by ghosting them, exists in-between. As an extension of all this, I feel that the author too exists in this in-between, not dead, but not defined. Caught between characters, perspectives and points of view.
In a conversation with Tsiolkas, Rafael Epstein talks about how The In-Between allows readers to walking inside someone else’s shoes and see people more clearly. I am not sure if I all of the sudden know what other people think or feel after reading it, rather for me the novel provides a deeper appreciation of the other. For example, after rain, the grass often looks greener, while the smell of eucalyptus often perfumes the air. I felt the same after reading The In-Between, my world was not magically transformed, rather I was made more conscious of the world around. In response to Epstein’s comment, Tsiolkas suggests that,
Fiction puts you in shoes that are not comfortable.Source: Christos Tsiolkas’ new novel The In-Between – ABC Listen by ABC Radio Melbourne
I like this point. When you have uncomfortable shoes, how become aware of every step.
I saw The In-Between come up in my new releases in my local library app and decided to unwittingly dive in. I was not disappointed. I think this is one of those books that will linger with me for a long time.
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